recordings of the anti-music workshop broadcasts from the studios of 91.7 FM WHUS date back to early 2003 and cover as wide a path as possible through electronic music and broadcast improvisation. live performances include laptops, effects gear, scrap metal, circuit-bent objects, harmonicas, and traditional instruments. correct musical selection during the broadcast is achieved using turntables an
d digital sources, with an emphasis placed on exploring the damaging capacity of the specific signal path used. special and expensive connectors allow the staff of the anti-music workshop to interface in real time with a bevy of monostable attractor units placed in varying locations worldwide to assist in the processing capacity requirements of the broadcast. periodic realignment with several key texts ensures usability. anti-music readiness training has been employed by several local organizations to help shape incoming broadcasters' technical readiness to respond to the impossible, with very promising results charted over a 2 year period. the staff of the AMW have experience in all aspects of signal amplification and alteration, computation, and training and are available upon request across new england. i think the music industry should focus on returning to in-kind payment for a vagrant's dinner and lodging in the hayloft.
